The film's early going, Charles Xavier (James McAvoy) ultimately has a more central part to play, one that of course involves challenging En Jean is left to suffer through nightmares, afraid that even allowing a hint of her capabilities to emanate will cause disaster. Scott at least ultimately gets some supercool sunglasses that help keep his Cyclops proclivities in
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Trying to learn how to control their powers. Meanwhile (there's a lot of "meanwhile" in this film), Jean Grey (Sophie Turner) and Scott Summers (Tye Sheridan) are both It's there that he "meets" Nightcrawler (Kodi Smit-McPhee), a Teutonic devil who can teleport (bringing those holding on to him That brings her into contact with Angel (Ben Hardy), a winged mutant who has been kept captive in a kind of cage match where he's pitted Raven (Jennifer Lawrence) isn't feeling worthy of the hero worship that's been accorded herĮvents of X-Men: Days of Future Past, and is tooling around the globe looking for other mutants in various predicaments in order to Poland with an attractive wife and sweet little girl. Not Magneto! Instead, he's a working stiff supposedly named Henryk who has made a simple but apparently quite happy life for himself Erik Lehnsherr (Michael Fassbender) has assumed a pseudonym, and it's Mind you) of the characters in the film and what they're experiencing. Some indication of just how many competing plot points are at work in X-Men: Apocalypse can be gleaned by simply detailing a few
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Isn't quite dead yet (to purloin a phrase), and his "awakening" several millennia later is a major spark setting the end of the worldĬonflagrations aflame as the film continues. Pyramid that experiences an implosion worthy of a Las Vegas hotel being decimated to make room for something grander. That leaves an apparently moribund En Sabah Nur buried in the wreckage of a Such a ritual is in process as the film begins, but evidently the rank and file Egyptians, or at least a renegade group of them, are having none ofĪnd they attempt to interrupt the transfer before it's complete. Is nonetheless unable to attain immortality, something which forces him to transfer his consciousness into new, younger bodies at regular Villain, the supposed "Patient Zero" of mutant-dom, En Sabah Nur (Oscar Isaac), a superpowered baddie who has all sorts of special talents, but Before that can happen, though, the film indulges in some Egyptology, with a prelude that introduces this film's Men: Apocalypse can be seen as a sequel of sorts to that film, using its story set in the 1970s as the background for events that take placeĪround a decade later. Despite that somewhat frayed ambience, there's no denying that X-Men: Apocalypse has a lot of excitingĪnd it's also clear that director Bryan Singer has lost none of his passion for the franchise, one he's credited with resuscitating with X-Men: Days of Future Past. Point in the franchise's history, there are so many competing stories that watching any given X-Men outing is like experiencing theĮquivalent of ADHD. Was less uniformly enthusiastic than many of the previous X-Men films had enjoyed, and at least part of that reaction may be due to the
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X-Men:Īpocalypse had its own "end of the world" (or at least end of the franchise) traumas when it was released to critical assessment Mummy (maybe with just a hint of Darth Vader thrown in for good measure), with an ancient Egyptian mutant resurrected in theġ980s and havoc of course therefore being wreaked. Men: Apocalypse seem almost like yet another reboot of The
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Is being detailed), it may simply not be feasible any longer to try to get everything to make "sense". With characters, individual storylines, ping ponging eras and actual completely different outcomes for various characters (depending on which Reviewed by Jeffrey Kauffman, October 4, 2016ĭoes it even matter anymore which timeline, arc and/or universe X-Men: Apocalypse is a part of? In a franchise so stuffed to its gills Don't they know it's the end of the world?